This is the best font I have ever found, and I have tried a lot of them over the years. The ability to specify your own variations and generate your own fonts is really useful. I am a big fan of the dotted zero, for example.
The readability is excellent, and this font replaced everything else that I tried before. Highly recommended!
IMO a font specimen site may be the worst place to use font-display: swap. Was wondering why I was looking at what seemed indistinguishable from Courier, turns out what I saw was exactly Courier.
I've been using a custom version - you can customize the font¹ and build your own ttf (or better yet, ttc) using the build system supplied in the repository².
be5invis, the author of the font, deserves a special mention for creating a whole custom DSL called PatEL (Parametric Type Expression Language) to generate the font programmatically!
Renzhi, if you ever come around to read this, thank you so much for Iosevka, man!
My go-to monospace font in everything I use nowadays. Way back, it used to be JetBrains Mono. When I decided to give Iosevka a try, I actually started with the expanded variant, because I wasn't accustomed to the narrow jump. Took a while, but at some point I took that jump back to the default and it's stuck. Thanks for your efforts on this font Renzhi!
First time I used Iosevka I felt really nauseated, kind of like getting motion sickness, it was a really bizarre experience for a font to give me. I was on a smaller screen though and getting some more characters in without getting tiny was actually a selling point, so I gave it another go and eventually got over the feeling.
Now (after ... gosh, 6, 7, 8? years probably) I love it, use it everywhere and other monospace font feels super w i d e and weird.
Have been using it for a couple years. Before that I was using Fira Code/Mono which was also fantastic. However, once I got used to the condensed Iosevka, all the other fonts just felt loose and not space efficient enough in my IDE and terminal.
It is interesting that it differentiates between oblique and italic, something that not many fonts aimed at the monospace crowd do, in both the English and Cyrillic alphabets. The list of variants for the letter k is longer than I expected.
Alas, it is oblong, not square.
And 7 thousand-odd code points is not as large a range as it used to be a couple of decades ago. That said, it does have MouseText, the 7-segment LED digits, and suchlike from the Supplementary Plane 1.
Once we use Berkeley mono font, we will never switch to another one :)
Whenever font discussions come up, I will try everyones suggestions to find better than what I have, and always came back to Berkeley. Its almost near perfect for coding!
Good to know that the age old tradition of calling a font with serifs sans-serif is well alive and kicking.
The reason here is that the basic glyph shape is that of a sans-serif, but still got serifs added afterwards. That doesn't stop it from diluting the meaning of the term.
Used Iosevka for a while, now fully on Aporetic for everything monospace. Something about the thin and tall serif just clicks with me, and Aporetic seemed to work better size wise for my terminals and GUIs.
The default font since GNOME 48 is Adwaita Sans (a modified Inter with different l's and I's) and for monospace it is Adwaita Mono (a modified Iosevka.)
It also has many weights. In my opinion it's one of the best monospaced fonts where you actually can use weight as an additional dimension in syntax highlighting.
I have been using this font for 3 years now. I can't, and won't get off it. I use it wherever I can - heck there's an Arch package! I'm pleasantly surprised by how much something this simple makes me happy. Legitimately a font has added to my life.
I felt like my eyes hurt when I tried this font. It's hard for me to switch away from the standard width monospace fonts. At the moment I use Commit Mono. Extra horizontal space might be nice but it's not worth risking any discomfort
The readability is excellent, and this font replaced everything else that I tried before. Highly recommended!
I've been using a custom version - you can customize the font¹ and build your own ttf (or better yet, ttc) using the build system supplied in the repository².
be5invis, the author of the font, deserves a special mention for creating a whole custom DSL called PatEL (Parametric Type Expression Language) to generate the font programmatically!
Renzhi, if you ever come around to read this, thank you so much for Iosevka, man!
¹https://typeof.net/Iosevka/customizer
²https://github.com/be5invis/Iosevka/blob/master/doc/custom-b...
Why is ttc better?
Now (after ... gosh, 6, 7, 8? years probably) I love it, use it everywhere and other monospace font feels super w i d e and weird.
Alas, it is oblong, not square.
And 7 thousand-odd code points is not as large a range as it used to be a couple of decades ago. That said, it does have MouseText, the 7-segment LED digits, and suchlike from the Supplementary Plane 1.
One thing I definitely love is it's easy to access. It has been packed for many package managers. I can just brew install or yay -S to get it.
Whenever font discussions come up, I will try everyones suggestions to find better than what I have, and always came back to Berkeley. Its almost near perfect for coding!
https://github.com/ahatem/IoskeleyMono
>Iosevka configuration to mimic the look and feel of Berkeley Mono as closely as possible.
Discussed recently https://news.ycombinator.com/item?id=49161743
The reason here is that the basic glyph shape is that of a sans-serif, but still got serifs added afterwards. That doesn't stop it from diluting the meaning of the term.
I like it a lot!
Some time ago I switched to wayland/sway/foot, and I'm on 0xProtoNerdFont, quite pleasant as well.